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Angkor: City of Gods, City of Ghosts

A Heat That Holds History

It is 103 degrees in the shade, and we are doing our best to look as though we belong here. Siem Reap, the golden heart of Cambodia, is steeped in the spoils and sorrows of history. This UNESCO jewel literally means “Siem Defeated,” a reference to the Khmer sacking of the great Thai city of Ayutthaya in the 17th century. Situated at the crossroads of the Siem Reap River and the Tonle Sap Lake, the region lay lost to jungle and time for centuries. Though Portuguese and Chinese travelers stumbled upon Angkor in the 1500s, it was only in 1907 that French explorers “officially” rediscovered this hidden sanctuary. The rest, as they say, is history.

From Modest Village to Cultural Mecca

What began as a small village en route to the Mekong Delta has grown into Cambodia’s second-largest city, drawing over 13 million visitors in 2018—up from zero during the Pol Pot era and the COVID years. Today, Siem Reap is synonymous with cultural heritage. The vast Hindu-Buddhist temple complex of Angkor has placed Cambodia firmly on the global map. Angkor Wat and Angkor Thom—along with Phnom Bakheng, Baphuon, and Bayon—are its crown jewels. So central are these temples to Cambodian identity that Angkor Wat appears on the national flag, its five towers instantly recognizable.

A Realm of Seventy-Two Sanctuaries

But Angkor is far more than its most famous monuments. The region includes seventy-two distinct temple complexes that rise from the misty jungle like ancient beasts stirring awake. Angkor Wat, with more than a thousand buildings, is the most renowned. Angkor Thom follows closely—its sprawl resembling a cinematic dreamscape, more Indiana Jones than devotional shrine.


Temples rise like creatures waking from centuries of sleep.

Meeting Ry: A Guide Shaped by History

Our guide, Ry (pronounced “Ree”), tells us that Angkor was the Khmer Empire’s capital from the 9th to the 15th centuries—a Renaissance period marked by flourishing arts, expanding cities, and relative peace. Between 1010 and 1220, Ry explains, Angkor supported at least 0.1% of the world’s population.

Ry has turned to monkhood three times. Now nearly sixty-five, he plans to return again. I feel a jolt of recognition when I see him—he reminds me of my late father-in-law. Both men are grounded yet spiritually driven, modest but limitless in their approach to life. Ry’s broad face seems to span continents; his thin jaw juts forward like a geographical isthmus. His high cheekbones and generous forehead appear carved by time itself.

But beneath these striking features lies a life marked by profound hardship. Robbed of his innocence by the Khmer Rouge, he witnessed his grandmother’s execution and endured torture himself. His voice trembles—not with resentment, but with compassion. He has forgiven his enemies, he says. His goal now is to help Cambodians heal their invisible wounds.

Ry carries his scars like quiet lanterns.
Forgiveness is his true temple.

A Spiritual Tapestry

Ry explains that Cambodia follows Theravāda Buddhism, which focuses on the teachings of the Buddha. Mahāyāna Buddhism—as practiced in India—regards the Buddha as divine, much like the Dalai Lama. As I begin to understand this distinction, the temples reveal their layered spiritual DNA to me. Theravāda introspection sits side by side with Mahāyāna devotion, both emerging from a Hindu foundation.

Angkor Wat: Monument of Monuments

Built in 1150 during the reign of Suryavarman II, Angkor Wat is the world’s largest religious monument. Originally dedicated to Vishnu, it later became a Buddhist shrine. Jayavarman II founded the Angkor kingdom in the 9th century, but it was Suryavarman II who envisioned and commissioned Angkor Wat—completed astonishingly in just thirty-five years.

As I move through the vast complex and witness miles of wall reliefs and steles, a quietness settles in. There is nothing to understand now, I tell myself. That will come later. For the moment, it is enough to experience this jungle mystery and imagine its vast incarnations.

A King Beneath the Spire

More than a temple, Angkor Wat was also the king’s mausoleum. Suryavarman’s remains were buried ninety-two feet beneath the central spire, entombed with jewels later looted during French excavation. Though the treasures are lost, his body was eventually returned to Cambodia. Unlike other Angkor temples—either shrines or monasteries—Angkor Wat is also a tomb. And it contains the remains of a king who died nearly a thousand years ago.

Symbols in Stone

During our day-long excursion, Ry shares his insights with meticulous care. Unique among Angkor’s structures is that Angkor Wat faces westward. Scholars suggest this orientation reflects its funerary function, with the west symbolizing death and the setting sun—though this remains debated.

Others say the temple represents Mt. Meru, mythical home of the Hindu gods. Its five towers represent Meru’s peaks; the surrounding walls and moat signify encircling mountain ranges and the cosmic ocean. Some believe its layout encodes Hindu epochs or functions as a celestial calendar—the central spire aligning with the rising sun on the spring equinox.

Angkor Wat is a calendar written in sunlight.

Architecture as Cosmic Blueprint

Architecturally, Angkor Wat blends the temple-mountain design typical of Khmer state temples with the galleried corridors of Hindu sanctuaries. The temple-mountain structure is self-evident as the building rises like a massif from the jungle. The galleried corridors narrate epic stories in stone—gods and demons, battles and ascensions—laying out the moral code of Khmer civilization. These walls are a kind of ancient Kindle: a linear, chronological reader of myth and ethics.

Ry points out the distinct carvings: the flat faces and elongated earlobes of the Khmer people, contrasted with the coarser features of the Champa of West Vietnam—depicted as asuras, or demons. The bas-reliefs swirl counterclockwise through celestial and human struggles—epic, eternal, archetypal.

Three Levels to Heaven

Angkor Wat’s three tiers symbolize heaven, purgatory, and hell, with access carefully stratified. Only the elite reached the third level—the inner sanctum. Construction used sandstone blocks joined in tongue-and-groove fashion. Ingeniously, the builders harnessed the water table to stabilize the immense structure.

Angkor Thom: The City of Souls

If Angkor Wat is the spiritual heart of the Khmer empire, Angkor Thom is its soul. A walled city suspended in time, its temples collapse into beautiful ruin. Roots spill over stone like fingers of time reclaiming their due.

I think of Shelley’s Ozymandias:

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.
Source: Shelley’s Poetry and Prose (1977)

The monuments crumble, but their ambition remains undiminished. Unlike Angkor Wat, Angkor Thom has been left largely untouched. Trees erupt from temples. Doorways yield to jungle. Built in the 12th and 13th centuries, the city includes Baphuon, the Terrace of the Elephants, and the Terrace of the Leper King.

At the South Gate, Jayavarman VII’s face appears over and over—serene, watchful, eternal. Along the bridge, gods and demons churn the Sea of Milk, the Hindu myth of creation carved in sandstone. Bayon, Jayavarman VII’s state temple, stands at the city’s core—a Buddhist sanctum layered atop a Hindu foundation. Emerging from the jungle mist, it becomes, as scholar Paul Wheatley wrote, “an astronomical calendar in stone.”

Abandonment and Afterlife

After 1295, construction in Angkor Thom ceased. By 1609, the city was abandoned. At its peak, more than 150,000 people lived within its walls.

Time, Memory, and the Rise and Fall of Civilizations

Time binds us all—to beginnings, to endings, to what lies in between. These temples rise, fall, and rise again—like memory, like myth, like the breath between lifetimes. Angkor Thom is a reminder of all of this.


The Layers of Hà Nội

Arrival at the Sofitel Legend Metropole

It is late Spring as we step into the Sofitel Legend Metropole in Hanoi—an opulent hotel whose foundations predate its 1901 opening. Nestled in the heart of the French Quarter, it brims with high-end Parisian culture on one hand and the chaos and cacophony of Vietnamese life on the other. These are the contradictions that are inherent in my close reading of Vietnam in the weeks that I have been here. And it is one of many that informs Vietnamese life and culture as I see it.


Historical Foundations

The hotel was founded by French investors Gustave-Emile Dumoutier and André Ducamp in the 1920s as the largest hotel in Indochina. It flourished for many peaceful decades till the call of the Viet Minh uprisings in the North and the Viet Cong forces in the South demanded attention. Driven by the devastating American War—as the Vietnam War is known in these parts—the Metropole was shuttered to the world. In the 1960s, it served as Embassy House—a refuge for eleven embassies and three UN agencies. In the 1990s, after an extensive renovation, the Sofitel Legend Metropole Ha Noi’s storied legacy became public all over again.

While the historical record is not as important for the passerby, turmoil-saturated though it may be, it is important to know it all the same. This is because the story of this magnificent belle dame is closely intertwined with that of the nation: a mixed bag of beauty mixed with the horrors of unrelenting war.


Contradictions Behind the Scenes

A gorgeous neoclassical Parisian hideout where guests sip Angeline’s famous martinis—balanced to perfection—there are worlds of contradictions working behind the scenes at the Sofitel. At once, the local indulgence affectionately dubbed the Pornstar Martini exists alongside international tight-lipped meet-ups among black suits: the likes of Donald Trump and Kim Jong Un’s extensive support system.

Ephemeral pleasure that is aesthetically perfected exists side by side armies of floating dark suits.

Pornstar Martinis are served in long-stemmed glasses that recall dangerously teetering heels. It is a perfect blend of Tito’s vodka infused with vanilla, passion fruit, Grand Marnier, and topped with a champagne cloud.


History and National Context

We quickly discover that visuals are not the ultimate arbiters of truth; they merely suggest it. Our University-trained guide, Soh, tells us that the country fought the French for over 200 years, achieving independence only in 1975. More recently, it endured the American War in the 1970s and a brief war with China in the 1980s.

Fresh-faced Soh walks us through the ledger of marauders: the French, the Belgians, the English, the Viet Minh in the North, the Americans, the Chinese, the Russians.

Vietnam was repeatedly carved up by a surgeon’s scalpel into sorry pieces occupying the land between India and China.

It was depleted to the point of extinction over and over again. And yet, the country held its ground—mutilated but alive. With the exception of the Sofitel Metropole, most of Hanoi is only about 50 years old—radiating youth, energy, and urgent momentum. The city also reflects a certain sense of tedium in the sameness of bland government buildings or miles and miles of housing that is meant solely for the purpose of existence.


The Sofitel Staff: Observers and Symbols

In the story that I see unfold, Berthe Morisot’s young Parisian women gazing into the public world becomes recognizable in the Sofitel housemaids. In their floppy white bonnets and flawless complexions, the Sofitel housemaids reflect insouciance or even a certain Parisian disaffection. They are the eyes of the hotel as they look around and away.

Similarly, the bellboys play a critical role as observers. They look regal in their red velvet jackets, resembling characters in an Amor Towles novel…the eyes and ears of Vietnam.

Yet, the Metropole stands as an important gateway of public memory. It is the place where the news is made and recorded after important meetings. Live TV is created here—for instance, when Trump met up with Kim Jong-Un in these sanctified spaces. Overall, the hotel serves as the instrument of the national conversation. From world figures to cardinals and rock stars, all seem to conduct their affairs from the vicinity of these storied rooms.

And one begins to sense the hidden truths lying in clear sight: that in a communist country like Vietnam, one does have limitless choices. But the path to an actionable outcome are few and flawed in between.



Vietnam: Entrepreneurial and Communal

“Vietnam reveals itself as both ambitious and humble, individualistic yet deeply tied to community.”

The entrepreneurial spirit, says our guide, is a lingering gift from the French colonists. Yet even today, Ho Chi Minh’s Confucian values remain firmly rooted in public life. Family and community are important as is evident in the crowded sidewalks that transform into al fresco restaurants at nightfall.

While Vietnamese cuisine is infused with style and variety, most people—New York City style—prefer to eat at mom-and-pop diners every evening. I also notice that alongside 100 million people, Vietnam also holds 80 million motorbikes. These roar through the broad avenues at any hour. Entire families ride in tandem—babies in arms, groceries and livestock in the back—destiny must be fulfilled and there is not a moment to be wasted. Capitalism, not communism, drives the momentum and the Vietnamese family unit is all in.

“Ambition here is fueled not by ideology, but by family networks and relentless drive.”


The French Quarter and Night Markets

The French Quarter—past the Philippe Patek and Louis Vuitton shopfronts—gives way to broad avenues that become pedestrian-only thoroughfares on weekends. Everything is in place, both the language of the empire and that of the vernacular—a culture of the street and that alongside the street.

In the night market, the dense mass of human diorama shape-shifts between the Western and Eastern dialectic. An ancient palm reader with a gnarly beard locks eyes with wary passersby. He waxes eloquent on Jupiter’s ingress into Venus and its transition through Cancer. Little electric carts buzz in agreement.


Monuments and Memory

Two monuments in Hà Nội bring home this contradiction. One is Ho Chi Minh’s Mausoleum, a paean to the father of modern Vietnam who founded the Democratic Republic of Vietnam and became her first President. A man of letters and of art, he is lovingly remembered as “Uncle Ho.” In fact, children are schooled on the alphabet through stories of this avuncular figure.

“Ho Chi Minh endures as a symbol of humility and connection—an everyday hero elevated to national legend.”


Everything about Ho Chi Minh speaks to his relatability and salt-of-the-earth bearing. Yet, his mausoleum is anything but that. Covering an entire city block, the mausoleum resembles a Greek temple perched on a raised platform in the center of Ba Đình Square. On closer inspection, Vietnamese architectural elements become clear—the iconic sloping roof and somber grey granite exterior to set the mood.

The complex is guarded by four cadres of military guards distinguishable by uniform. Phones off, hats removed, we let the silence of the granite envelop us.

At the center lies Ho Chi Minh’s frail body—his skin alabaster under the spotlight, his hair a surreal orange from embalming agents. Since his death in 1969, President Ho has had a busy traveling schedule, going to Moscow for his annual preservative treatments. After 2013, the specialists came to Hà Nội instead. Only recently, it seems, has General Ho been gifted the promise of eternal rest.


Hỏa Lò Prison: A Fiery Furnace

The second site that haunts me is Hỏa Lò Prison, which translates to “fiery furnace.” Built by the French to hold political prisoners, it was later used by North Vietnam to detain American POWs during the American War. Famously known among U.S. servicemen as the “Hanoi Hilton,” it once held Senator John McCain, who recounted his experience in Hoa Lo in his memoir, Faith of My Fathers.

Hỏa Lò was originally a school, a site of learning. But over time, it became a symbol of colonial brutality. Built for 600 inmates, it held as many as 2,000 prisoners in the 1950s. Today, only a small corner remains as a museum; the rest was demolished in the 1990s. Serving as an instrument of torture, the prison became too painful of a reminder of its brutal past. That’s why, it had to go.

Torture methods inside the system included rope bindings, beatings, and prolonged solitary confinement. We see the infamous cachots—dark dungeon-like spaces where prisoners were shackled, forced to eat, and relieve themselves in the same spot. Their bodies bloated with edema, their skin raw from scabies, they died of terrible infections that in another time, would have been curable. Hoa Lo also displays single- and double-log shackles, guillotines, and sewer lines once believed impassable. Yet seven prisoners escaped through them, defying the odds. In the nearby courtyard, stands the bang tree—a modest species that bore witness to it all and provided hope for so many. Its fruit offered a rare salve to those who dared to dream of survival. The bang tree provided a ray of hope for the few that survived this camp, Viktor Frankl style.

Reflection

As we leave Hỏa Lò, the echoes of past injustice still vibrating in our minds, the bright façade of the Metropole comes into view.

“In Hà Nội, history breathes through every street—unburied, unforgotten, and completely alive.”

A mixed bag of the beauty of the human soul intertwined with the horrors of unrelenting war.